![]() Rawlings had been at the stakeout since five o'clock and although a few people had passed down the street no one had taken any notice of him. It was a crisp and bright morning, with a pale wash of light over Green Park in the east and the street lights still on. ![]() Moving the automatic shift into drive, he eased out of the line of parked cars and went after the Daimler-Jaguar. He already had the engine running and the heater on to keep out the cold. Gazing unobserved across the Belgravia street he had seen what he had hoped for: the husband had been at the wheel with his wife beside him. Sitting across from the luxury apartment block, dressed in a hired chauffeur's uniform at the wheel of the rented Volvo estate, Jim Rawlings breathed a sigh of relief. It paused for an instant in the mouth of the cavern as its driver ehecked the street for traffic, then turnéd into the road and headed towards Hyde Park Corner. ![]() ![]() ![]() The big, wide limousine swooped up from the subterranean car park with the powerful grace implied by its name. Provided they were still in the apartment safe and the occupants away. Icon (or Frederick Forsyths Icon) is a 2005 made-for-television thriller film directed by Charles Martin Smith and very loosely based on the 1997 novel by Frederick Forsyth. The man in grey decided to take the Glen suite of diamonds at midnight. ![]()
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